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Posts Tagged ‘self defense’

How to Learn Real Kung Fu in a Couple of Months!

April 10th, 2010

Interesting idea, eh? Sounds like one of those old Kung Fu movies, but is it possible? Could it be true that you actually have unlimited potential, and could learn a complete Kung Fu system within a couple of months?

The mind is unlimited, you know, and that means that you are unlimited. The trick of course, is to figure out a Kung Fu program that downloads into your mind with perfect sense and ease. The trick is to find a software program that really works, and that is actually designed to match your mind.

Most Martial Arts take a long time to learn, and there is a reason for this. Actually, there are many reasons. They all have to do with incorrect data, missing data, illogical data, and that sort of thing that crashes a computer.

First, you must realize that the martial arts are taught using ancient oral traditions. They are passed along by the use of songs and poetry. This is incredibly inefficient, and there is no telling how much data has been lost over the millennium.

Second thing to understand, you must realize that the martial arts are communicated by ‘monkey see monkey do.’ This is mimicry, which is the basic and easiest form of communication on the planet. It works, but does not allow for the interchange of ideas, which makes it totally inadequate for teaching Kung fu, Karate, Aikido, or any art you may wish to mention.

Third, you must realize that the martial arts are taught by having students memorize strings of random data. Memorization is totally inadequate, and often has nothing to do with the actual fact of learning. A xerox machine can’t think, it’s as simple as that.

So to learn a complete kung fu system, or to fix any martial art you might know, you must change the way you learn the martial arts, you must change the training methods you commonly use. You must have mimicry and memorization, but the material of the martial arts has to be arranged in the correct order. This is difficult to do, for people have been enraptured, and convinced, that the old ways of learning should not be changed.

In conclusion, the human mind is a perfect computer, but it is liable to that old rule of ‘garbage in garbage out.’ You don’t have to fix your mind to learn more, you just have to align and make correct the martial arts that go into it. Doesn’t matter what system of Kung Fu you know, what I am saying works, and if you don’t know any martial arts, you can learn a real kung fu system, within a couple of months, all you have to do is change your method of training.

Al Case offers aligned Martial Arts Programs that insert into the mind naturally. He has over forty years experience and writes for the magazines. Pick up a free ebook about his programs at Monster Martial Arts.

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How Instructors Improve their Martial Arts Abilities!

April 1st, 2010

One of the most shocking things in the martial arts is how instructors let themselves go. By this I mean, after they reach a certain point, they never get any more instruction for themselves. The idea here is that you know everything, and all you have to do now is polish it, perfect it, and time will be your teacher.

This concept, of course, is ridiculous. Yes, time will make a person better, but what will improve a person faster is getting more data. Imagine a computer which never inputs any further data and my case becomes obvious.

So you need more data if you are going to get better, and you need to make mental connections with other arts. For instance, if you’ve got a black belt in Karate, a course in Aikido is going to open your mind up. At the end of every karate technique, once you understand what Aikido really is, you can make additional techniques.

And, if you’ve got some good hard Kung Fu, the next step is exploring the internal schools of Kung fu. Aside from improving your understanding of the martial arts, you now have more to offer students and prospective students. This is going to result in better quality of instruction, and it’s going to be a lot of fun besides.

Now, let’s say you don’t have access to an aikido school, or a Wudan school, what do you do? Well, you read the magazines and the books, and this goes a long way. But the real key to improvement is in DVD courses.

You can pick up a course on an entire art, sometimes for as little as ten bucks a DVD, and you can lay on your couch and get up and practice to your hearts content. I used to buy so many arts at my supply store the owner gave me an automatic, good customer, ten per cent discount. And I would spend my late evenings and weekends analyzing and dissecting new arts until I had them totally cold.

When I walked into my kung fu school on a Monday morning, I always had a kettle full of great ideas. Students were always wondering how I cam up with so many great ideas, and they were always blown out by the twists and interpretations I could give the same old same old forms and techniques. I tell ya, when people were bowing to me, they were bowing to superior knowledge by disk, and that can happen to any instructor!

Now, when you pick out an instructional Martial Arts DVD, make sure it deals with an entire art, and not just an overview, an overview is nothing more than an advertisement, there is rarely any meat to this kind of DVD. And, make sure you pick up a new DVD every month, you need to make a project out of this, and not a whim. Martial Arts DVDs are one of the best ways to learn that I know of, I tell you, if you are an instructor, it is imperative that you keep improving yourself, and DVDs are the best and most fun way to do that.

Al Case has studied more than 21 Fighting Disciplines in depth. He has packaged these arts in intense DVD courses such as the Evolution of Art course and Butterfly Pa Kua Chang. Drop by Monster Martial Arts for a sample and a free ebook.

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Real Gung Fu, As It Really Happened!

March 31st, 2010

The era of the extreme and real gung fu was about 1975 to 1985, give or take a few years. Of course, the time period could probably include the time period of 1985 to 1995, because that is when those movies hit the all night movie channels. And, of course, chop sockies forever, because we can now get them on the internet, though we should make sure it is a clean copy and that we have a good DVD player.

One could make argument that Bruce Lee provided the first kung fu flick, and they wouldn’t be wrong, for his movies started the flood of kung fu flicks in America. The first real chop sockie, however, would have to be Five Fingers of Death, with the amazing and inspiring Lo Lieh. Lo Lieh, who thrust his broken fingers into cauldrons of red hot rocks until he could have his revenge.

The main chop sockie movie maker, though there were hundreds, would be the Shaw Brothers. They churned out hundreds of the things, and they convinced the world that if you had an idea and dedicated yourself, you could learn gung fu. The main man of Shaw Brothers was a fellow name of Gordon Liu.

Gordon Liu knew real gung fu, and rumor has it he was adopted into a family of movie makers. One brother was the director of his magnificent masterworks, and the other brother was involved with stunt work. I think that was how it all worked out.

Among his masterpieces, and I will name three of them here, was The Master Killer, also known as Thirty Six Chambers of Death. Mr. Liu always played endearing fools, tilting at windmills, who, through Kung Fu, managed to win in the end. The Master Killer was his entry into the field, and it propelled him right to the top.

One of his gems was Return to the 36th Chamber, where he plays, surprise of surprises, an endearing fool. The plot is silly, the acting is farcical, but the idea that one can learn kung fu from the common tasks of life is incredible. And, when our bumbling fool returns to his village, entirely disillusioned, only to find out what those nefarious monks have done to him…well, the phrase ‘I Do Know Kung Fu’ becomes a clarion call and inspiration to all kung fu students everywhere.

My favorite of Gordon Liu’s movies is an obscure gem entitled Fists of the White Lotus. Our endearing fool is betrayed, practices his kung fu for ten years so he can have revenge, only to find out that the bad guy has also had ten years to practice his kung fu. This movie inspired Bak Mei of Kill Bill fame (played by Gordon Liu) and far outshadows such movies as Crouching Tiger and Kill Bill and that ilk.

The originals flicks, you see, provide innocence and inspiration that cannot be refuted. You want to learn the real stuff of real Shaolin gung fu? Go find these movies, watch them and be inspired, and live life the way real heroes live it.

Al Case has forty+ years martial arts experience. You can pick up a free ebook at Monster Martial Arts. Find out about http://www.monstermartialarts.com/Shaolin_Butterfly.html while you are there.

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The Fastest Method to Enlightenment

March 22nd, 2010

The four main practices used to achieve enlightenment are the way of the fakir, the way of the monk, the way of the yogi, and the way of the martial artist. In this bit of scribbling we shall go over what is special about the way of the warrior. After all, enlightenment is probably a pretty nifty thing to reach, and it would be a good idea to speed up any individuals progress on the way to enlightenment.

It is said, of the four paths to enlightenment, that the way of the warrior is the fastest. This is an interesting look at things enlightenment, for one would think that a path dedicated to things war would be the slowest. After all, learning how to maim and kill would seem antithetical to pursuing enlightenment.

First, the warrior deals with the things of the world. He does not turn his attention inward to seek enlightenment, but does his seeking in a much more overt manner, seeking out conflict and learning to deal with it. This entails, ultimately, giving up the desire for conflict, none of the other disciplines seek out conflict in this manner.

Second, the warrior deals with the real world. We could argue about what is real, but in lieu of that mental exercise let’s just say that the universe is constructed of objects in motion. The warrior is the only traveler of the four that deals directly with a universe filled with objects in motion.

Third, the warrior is much more adamant in sticking to his discipline of choice. I say this because the discipline of studying the martial arts requires an active mindset. Simply, the warrior has something to do on his way to enlightenment, the other disciplines are more concerned with doing nothing.

Fourth, there is a built in guiding factor in the way of the martial artist. Simply, if a technique does not function, the result will be noted as a punch in the face. This ‘feedback’ device tends to make the artist more demanding in his seeking of perfection and enlightenment.

To conclude, let me say that every path has its strengths and weaknesses. Heck, you knew that. So the point of this article is not to speak ill of other disciplines, merely to point out how glorious the one you are immersed in is.

You are the one; you are the karateka and the shaolinist and the aikidoist and…the Tai Chi-ist. You follow a path, and you are in a hurry, no matter how slow you think you move, to see the light at the end of the tunnel. Godspeed.

Al Case has studied gung fu for 40 years. If you want to see How Far the Martial Arts Can Go, pick up a free book at Monster Martial Arts.

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The Three Distractions that Stop One from Reaching the True Martial Art.

March 19th, 2010

There is one thing, and one thing only, that will always stop a martial artist from reaching the True Martial Art. That one thing is called simply…distraction. To the degree that one is not distracted, to that degree he will realize his goals, and to that degree he achieves the True Art.

When one learns the martial arts one learns these strange patterns called forms. On the surface, the form is nothing but an encyclopedia of technique, of having a curriculum which will teach him higher and higher ranges of art, and lead him to deeper and deeper depths. It is under the surface, however, through the refusal of distractions that one must seek the True Martial Art.

When one can refuse to have his attention wander in the middle of form one is cultivating his discipline. When one focuses only on the moves within the form, and does not allow himself to be sidetracked, then he is building concentration. The end result of these endeavors is to be able to keep awareness in the universe of the form, and not in the universe of trees and bushes and rocks and twigs and such.

The bits and pieces of the form, the technical applications, are the middle ground of refusing distraction. This area, applying technique to a willing opponent, bridges from perfect thought inherent in the form to the perfect idea even in the middle of chaos. When one holds to the physics of combat, holds to his mental concentration, holds to the truths he has learned about his fellow man even in combat, then one is approaching a distraction free existence.

It is in the fact of kumite, however, that one must determine his most adamant refusal of the distractions of the real universe. One must focus on the other fighter, refuse the intrusions of a random world, and build the truth of his own awareness. When one lives as if in a tunnel when fighting his opponent, and can hold to the construction of that tunnel no matter the occurrence, then one has found the True Martial Art.

These three arenas, forms, technique and freestyle, are the arena of the true art. To the extent that one refuses distraction, that one becomes pure and able to hold to concentration and awareness, to this extent one enters the True Martial Art. The real key, to all this, however, lies in the realization of one important factor.

The universe goes backward. It is not the debris of the universe that offer distraction, it is the knowledge that one must not go towards a distraction free existence with effort, but, rather, but relax so that no distractions can find purchase in the soul. It is the emptiness of the universe, perceived by the individual free of internal strife, that makes up the Path of the True Art.

Al Case has more than 4O+ years training in the martial arts. you can pick up a good and free ebook on how to become distraction free at his site, Monster Martial Arts.

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Zen, the Martial Arts, and Enlightenment!

January 25th, 2010

The martial arts have long been held up as a way to enlightenment. Indeed, this is the goal at the end of the road of The True Martial Art. This article is about why this is so, and to enable the reader to walk to the end of that road all the sooner.

Enlightenment is when light shines forth from the individual. With that light the enlightened being views the world differently. His perceptions are heightened, and he has a superior viewpoint.

If enlightenment happened because of motion, then the fact of motion would result in enlightenment. Gymnastics, ballet, football, all would result in an enlightened individual, but they don’t, so one must ask oneself, what is it about the Martial Arts that they result in enlightenment?

What is different is that there is fighting, and when one understands what fighting truly is, one becomes enlightened. What is the essence of this thing called fighting? One could sum up the subject by saying that when one finally understands that when he is fighting he is only fighting himself, he becomes enlightened, and a study of the martial arts does result in this realization.

The universe, you see, is a playing field rich with moving objects. Every object in the universe has a direction to its mass. It is only in the martial arts that one actually engages in the study of the trajectory of flying objects as the one who creates the direction of those flying objects.

A fist flies through space at you, and you go through a range of emotions. Eventually, you give up emotions so that you can better analyze the flight of the fist. Thus, you rise above base reaction and become cause over the motion of the universe.

A person threatens you, he holds a knife and approaches you, and you must divine the direction before it manifests. You must look at the world the way it exists, and not through some fantasy, and thus you look at the world you created. Thus, you rise above being the flotsam and jetsam of a universe awash with random motion, and thus you take control of the motions of the universe.

There is no motion in this universe, you see, that you have not created. That star shines for you, because of you, if it wasn’t for you, there would be no purpose for that star to shine. And through the tempering of form, the steeling of will, the martial artist engages in combat, to give up combat and become what he truly is, an enlightened being free to enjoy the universe.

Al Case has practiced martial arts for 4O++ years. A writer for the magazines, he had his own column in Inside Karate. He is the originator of the church of the martial arts, and you can find out about the path to enlightenment by ordering his free ebook at Monster Martial Arts.

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Using Space to Beat your Opponent!

July 6th, 2009

In the martial arts, the deadliest tool I know is also the one least used. The actual and effective use of space is what I am talking about here. If properly understood and utilized, space can win any fight.

Space is the absence of objects, is emptiness, is nothing. You will find, if you just ask any light beam, that space is the greatest conductor of visual perception. A very zen thing, space is not understood by most martial artists.

Space is the distance between you and your opponent. If you can control the space between you and your opponent, you can control the fight. This is the first strategy in any fight.

Space is the perception of your body. This is important if you realize that by relaxing you can perceive more, and thereby create more space. If you can create more space in this manner, you can create more potential for motion.

Space is utilized when hitting in a negative fashion. Simply, by taking energy out of your strike, and throwing the mass of the body, unaffected by energy and emotion (emotion contains, and can stop, a high degree of energy) you can strike ten times harder. Simply, consider your body an object and throw it at your opponent, and let it strike.

The space of the last paragraph is the space created by not having consideration for your opponent. I used to call this The Dead Strike. Not because it caused death, but because there was no consideration for life when I threw the object and mass of my body at somebody.

The space of your thoughts is the most important space. Concentrate your efforts not on moving by muscle, but on moving by thought, because thoughts don’t occupy space. You will be able to move far faster than you ever thought possible if you can reduce muscular effort and move by thought.

The real final frontier is thought. Thought is the source of all motion. Create space, relax, and have thought, and you will have the Ultimate Secret of the True Martial Arts.

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The Heart of the Martial Arts!

June 20th, 2009

One of my favorite books is Zen and the Art of Archery, by Eugene Herrigel. In this book, Mr, Herrigel goes to Japan in search of zen enlightenment. He is guided into the practice of archery in this seeking.

The reason he is guided into archery is because, according to the people who teach zen, zen is too difficult for a westerner. Not being of the Japanese culture, it would be to difficult for him to understand the concepts. Through the practice of archery, however, he might be able to make some headway with zen concepts.

Mr. Herrigel practices archery diligently. He stands with a tall bow, calms himself, and experiences nothing but frustration. Heck, he can’t even hit the target, let alone find his own soul.

The sensei, understanding his frustration, takes pity, and invites him over to his house for some personal instruction. The teacher is a font of wisdom and zen, but Mr. Herrigel, is still ensconced in his frustration. The sensei, realizing drastic measures are called for, takes Mr. Herrigel out to his personal archery range.

They stand on a range that is about a hundred feet, and the teacher instructs Mr. Herrigel to light a candle between the firing line and the target. The candle lit, Mr. Herrigel is instructed to turn off the lights. In the deep darkness, with only a single candle glowing fifty feet away, the teacher fires an arrow and puts out the candle.

Mr. Herrigel, standing in darkness, is astonished. Never has he seen such a magnificent display of archery, to put out a candle at fifty feet! Good Lord!

The teacher merely says to turn on the lights, and then has Mr. Herrigel retrieve his arrow. Mr. Herrigel runs down to the end of the range to look for the arrow. He finds it…in the center of the target.

To put out a candle and hit a target, using only the light of the candle. To master a martial art and plumb the depths of soul. To find the brilliance of yourself on a darkened night, this is zen, and this is what is at the heart of the Martial Arts.

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Tractor Beams in the Martial Arts

June 18th, 2009

Though I have never seen nor heard of it discussed, at the heart of the martial arts, is the ability to create beams. I say beams, and I include pressor or tractor or any other type of beam. A beam is usually constructed upon a line, though it need not be a line, of energy that is thrust outward from the body of the martial artist.

It is a truth that a martial art is not a true martial art unless it helps a person to create a beam of energy at will. Most martial practices on planet earth are aimed towards the shabby excuse of energizing body parts, or just building muscle. We will discuss how to awaken the reader to the ability to create beams of energy In this article.

When you think about it, the body is nothing more than a machine. It is constructed of meat and bone and has various linking systems in it. Indeed, to the person unfamiliar with the techniques of how to use a body, though the body is actually very simple to use, it can resemble a Rubic’s cube.

To use the body as a beam generator one must practice classical forms, and understand the value of classical stances. To practice the classical stances requires work, which work necessitates the creation of energy in the Tan Tien, which is the one point, which is nothing more than an energy generator on a body/machine level. This work should be augmented by breathing in accordance with the expansion or contraction of the body.

To create a stance and work, to breath and concentrate awareness along the desired path of the limbs, and to imagine.We are set apart from the beasts by our ability to imagine, and you must cultivate imagination if you wish to create a beam of energy exuding from the body. But to imagine you must practice until the mind is calm.

It is necessary to use a simple and often over looked gimmick if you wish to test your ability to beam. Face a candle, breath to calm, and punch, and stop your fist an inch from the flame. Work on pure focus, and do not try to trick the flame by flicking off the straight line, and keep the line of the beam as straight as possible.

With time and success, stop your fist two inches from the flame, more time and success and three inches, and so on. Eventually you will be able to put out the flame from across the room. With great desire and patience, you will be able to merely look at the flame and it will go out..

There are those that laugh and such practices as detailed here are of little importance, and there are those who will not persist, but seek the instant gratification of simple fighting. Then there are those who will discover the depths of their being through this simple exercise. The difference between the two is faith, belief in yourself, and the desire to awaken your true abilities, and thus awaken yourself.

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